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This is tough work, and takes her all her time, as Mrs. Carson, having made up her mind to the beads, accepts it rather badly being undeceived, and goes nearly so far as telling Mona that she knows little or nothing about her own people.,She tells herself this lie without a blush, perhaps because she is so pale at the bare thought that her eyes may never again be gladdened by his presence, that the blood refuses to rise.,Quite near to the poor corpse, a woman sits, young, apparently, and with a handsome figure, though now it is bent and bowed with grief. She is dressed in the ordinary garb of the Irish peasant, with a short gown well tucked up, naked feet, and the sleeves of her dress pushed upwards until they almost reach the shoulder, showing the shapely arm and the small hand that, as a rule, belong to the daughters of Erin and betray the existence of the Spanish blood that in days gone by mingled with theirs.,And lady-smocks all silver white,,Down from the cataract in the rocks above the water comes with a mighty will, foaming, glistening, shouting a loud triumphant paen as it flings itself into the arms of the vain brook beneath, that only yesterday-eve was a stream, but to-day may well be deemed a river.,"Because you were at home," replies Mona, quietly, though in deep distress.,"Yes; the one with the brown feather," returns Mona, quickly, and with a smile radiant and grateful, that sinks into Violet's heart and rests there.,Still she hesitates, and he is not slow to notice the eloquent pause.,It was in the boudoir they were sitting, and Violet was dressed in some soft gray dress that shone and turned into palest pearl as she moved. It was his mother's boudoir, the room she most affects, with its crimson and gray coloring and its artistic arrangements, that blend so harmoniously, and are so tremendously becoming to the complexion when the blinds are lowered. How pretty Mona would look in a gray and crimson room? how——,At last, one day, Old Man decided that he would make a woman and a child, and he modelled some clay in human shape, and after he had made these shapes and put them on the ground, he said to the clay, "You shall be people." He spread his robe over the clay figures and went away. The next morning he went back to the place and lifted up the robe, and saw that the clay shapes had changed a little. When he looked at them the next morning, they had changed still more; and when on the fourth day he went to the place and took off the covering, he said to the images, "Stand up and walk," and they did so. They walked down to the river with him who had made them, and he told them his name.,"I promise you faithfully," says Mona.,As he makes this last extraordinary remark he looks over his left shoulder, as though fearful of being overheard..